It’s such a great way to tell a story I think it’s a really beautiful way for people to just process their lives through art.The Government of Canada is embracing Canada’s emerging role as a leader in global tech talent recruitment and attraction to ensure Canada is not only filling in-demand jobs today, but also attracting the skills and business talent to create the jobs of tomorrow. “But these shows have made it to where people - who would never even watch dancing or consider dancing or even understand dancing - can relate to it. “If you’re not a dancer, so many times, you’re like, ‘Oh, dance is cool, but it’s just a hobby, something that you do when you’re little,’” said McCormick. McCormick cites reality shows like SYTYCD, America’s Best Dance Crew and Wall’s upcoming series All the Right Moves for translating dance for a larger audience. You fall in love with the music and the movement and whatever you’re doing it’s really like out-of-body experience.” “Everybody loves to watch and feel what the person dancing is feeling. Guzman attributed his effective learning to the universal quality of art form altogether. VIDEO: “Step Up Revolution” Trailer Debuts “Anytime he does something, he could remember it, because he’s a fighter and his muscles are used to remembering what they did.” ![]() “Ryan knows muscle memory,” Sims told THR. Such wasn’t a problem for the former professional martial artist who crossed over into modeling and acting. Though McCormick appeared in the Fame reboot, her co-star Ryan Guzman auditioned with no previous dance experience at all. “When I found out it was, I was excited because I knew that we had a lead that can really dance,” said Maldonado of the SYTYCD alum. That was the focus - to boost these flash mobs into heist-style takeovers.”Īside from the ubiquitous flash mob “protest art” demonstrations, Step Up Revolution follows the budding relationship between a contemporary dancer and a local hip hop Mob member - leading roles played by two new faces. “I think that that was what really fired my creativity, like dancers coming out of a painting, dancers as statues, doing things that you’ve never seen. “I thought, could we bring suspense into a dance movie? It suddenly opened up this ability to structure the movie almost like an action movie or like a heist film,” he told THR. That’s the whole thing about a flash mob is people are unexpected by it.”ĮXCLUSIVE: Reality TV Dance Star Stephen “tWitch” Boss Joins “Step Up 4”ĭirector Scott Speer revealed that he studied a completely different genre of film to step up to the challenge of filling Jon M. “You have to come up with a scenario where there’s normal people around - and know that on the set, there’s gonna be normal people around, so you have to choreograph around them, knowing that they’re not going to part of the flash mob. “Because you’re choreographing a flash mob in a movie, it’s shot differently,” choreographer Travis Wall told THR of designing the film’s duet as well as a number with The Mob. “We wanted to do something that meant something, that made a statement.”Įven more so, choreographers had to be sure their creations would accurately translate onscreen and in a three-dimensional format. “We just had to be careful that it doesn’t become corny,” added Step Up franchise vet and head choreographer Jamal Sims. “In a flash mob, most of the time, it’s one big mob - if you can’t do, we’ll hide you in the back somewhere!” You do that through getting to know that person and getting to know that person, one on one,” explained seasoned dance flick choreographer Chuck Maldonado, who contributed highly to the film’s final number. “You pretty much locate it towards that person, making sure the movements fit that person’s body. “I love working with duets on SYTYCD, but it’s nothing like having that many bodies to be able to build the craziest visuals you can think of doing - ripples! It was like the choreographer’s dream.”Ĭlips of Scott’s sequence debuted on Facebook weeks before last week’s red carpet premiere, while the introductory “car surfing” number was released days ahead of the screening in Los Angeles last week.ĭespite the fun of working with so many dancers at once, choreographers sometimes found themselves with new problems to solve. “When I found out I had 65 dancers, I was like, ‘Yes!’” choreographer Christopher Scott explained of creating the film’s noteworthy flash mob sequence in the office plaza. To harness that energy, four choreographers collaborated to create eye-popping dance numbers in crowded, common places. STORY: “So You Think You Can Dance’s” Nigel Lythgoe Attends ‘Step Up Revolution’ Premiere
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